In the summer, the fifth day of the sixth month, of the gengyin year in the Zhiyuan reign (July 12, 1290), the Retired Official in Hangzhou (Xianyu Shu) wrote this in his Kunxue Zhai Studio. But in the representation of trees and sloping banks, the color of the grass echoes that of the earth, and the ideas embedded in the stretch of river shore lie beyond the actual brushwork, which no one can match. In this piece of paper, if one speaks of clear delineation then anyone can do it. The paintings by the two Mis are of the latter kind. An artisan's painting is short in ideas but good at capturing formal likeness, which is opposite to the works of lofty and superior scholars. Xianyu Shu 鮮于樞 (1257‒1302), 11 columns in running-cursive script, dated 1290 4 seals: Poetry critics say that if one has ten ideas but puts into words only three, one may then compare with the Li sao and the Odes. On the Chufu Day of the gengshen year in the Qingyuan reign (1200), Mo’an, Shengyu (Wang Jie) from Langya made the note. I will treasure it with respect to ensure its transmission to future generations. Ah! All those people have passed away, though the painting still remains. Running into a scenic site of villages in cloudy mountains on his trip, he picked up the brush to make a painting and presented it to the emperor, who then bestowed it to a contemporary scholar of the Erying Ge Pavilion. 1200), 7 columns in semi-cursive script, dated 1200: Mi Yuanhui’s (Mi Youren) painting is very much like the calligraphy of the two Wangs, in which the characters have exemplary forms but appear spontaneous.
Treasured in the collection of Bangda (1911‒2012), inscribed by Hufan. Inscription: No artist’s inscription, signature, or seal Label strip Wu Hufan 吳湖帆 (1894‒1968), 2 columns in semi-cursive script, undated 1 seal: The Cloudy Mountains by Mi Yuanhui (Mi Youren) of the Song dynasty (960‒1279), a genuine work of the divine class.
0 kommentar(er)
